This chapter discusses
some of the standard categories essential to the understanding
and identification of printing and prints.
The Three Types of Printing:
Relief, Intaglio and Planographic
All traditional printing belongs to one of three general types:
relief, intaglio or planographic. The difference between these
types is in a combination of the form of the printing plate and
how the ink lays on or in the plate. These differences show
up in the final print.
A relief print is made by cutting away part of the
surface of the printing plate, adding ink to the raised surface
that is left and pressing the plate surface to the paper. The
area that was cut away will not appear on the paper, while the
area that was left will. If you take a block of wood, carve
your initials into it, ink it up and press it on a piece of paper,
you have made a relief print. Everything but your initials will
appear on the paper. If you had instead cut away everything
except your initials, it would print just your initials. Examples
of relief printing includes woodcut, wood-engraving and linoleum
cut.
Intaglio printing also involves cutting away part of
the surface of a printing plate. The difference from relief
is that the ink is placed in the lower parts, or recesses, of
the plate. During the printing process it takes great pressure
to get the ink from the recesses onto the paper. Examples of
intaglio printing include engraving, etching and dry point.
Planographic printing involves a flat printing plate
with the ink lying on the surface. As detailed later on, special
substances placed on the plate surface isolate the ink into the
desired image. The most common form of this printing is lithography.
Miscellaneous. There are a number of processes that
are not traditional. Some are barely prints at all. These include
the monoprint and cliche-verre. These are, however, popularly
included in the genre of prints.
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